Thin Places: Thresholds of Transmission, Emerson Contemporary, Boston, MA. Sept. 15 - December 12, 2026

Spectalia, Every Woman Biennial, Pen + Brush, New York, NY. March 8-April 11, 2026

First Encounters: Artist Interventions with the VOC Shipwrecks, Western Australia Shipwrecks Museum, Fremantle, AUS. November 28, 2025 – February 1, 2026.

Kindred Spirits, Athens Cultural Center, Athens, NY. June 2- July 23, 2023.

Gathering, FiveMyles, Brooklyn, NY. July 8- August 13, 2023. 

Mediums and Messengers, curated by Danni Shen, Bannister Gallery, Rhode Island College, Providence, RI. February 16 - March 17, 2023

Naked Lunch, SPRING/BREAK Art Show, 625 Madison, New York, NY. Sept 7-12, 2022.

A Thousand Secrets, curated by Mae Miller, apexart, New York, NY. June 3 - July 31, 2022

Women’s Work, Lyndhurst Mansion, National Trust for Historic Preservation in the United States, Tarrytown, NY. May 26 - September 26, 2022. Catalog.

Collaborative Survival, curated by Danni Shen, 601Artspace, New York, NY. June 18 - August 15, 2021

PALA, Westfries Museum, Hoorn. Online multimedia exhibition. May 8, 2021-Present

Returning to the Source, Wave Hill Public Garden and Cultural Center, Bronx, NY. January 19 - March 29, 2020. Digital catalog.

The Land On Which We Gather, Martin-Mullen Art Gallery, SUNY Oneonta Fine Arts Center, Oneonta, NY. September 3 – October 18, 2019

Fluid Kinships: Global Asian-Indigenous Relations in Contemporary Art, curated by the Global Asia/Pacific Art Exchange (GAX), the Ethnocultural Art Histories Research Group (EAHR) and the Indigenous Art Research Group (IARG), Concordia University, Montreal, CA. June 12 – September 11, 2019

<Decode> Artists Policing Data, curated by Jayanthi Moorthy and Daria Dorosh, Anya and Andrew Shiva Gallery, John Jay College of Criminal Justice, New York, NY. November 28, 2018 - January 19, 2019. Catalog.

As far as the heart can see, curated by Nicolás Dumit Estévez Raful, Elizabeth Foundation for the Arts, New York, NY. 2018

Empathy, curated by Gabriel de Guzman, Smack Mellon, Brooklyn, NY. 2018

Banda Islands, curated by Wim Manuhutu and Sadiah Boonstra, Galeri Nasional, Jakarta, IN. September 20 - October 4, 2017

Honolulu Biennial "Middle of Now | Here", curated by Ngahiraka Mason, Honolulu, HI. March 8 - May 8, 2017. Catalog.

2026-2027 Creative Futures Fellowship, Stanford Arts, Stanford University

2024 Valise Project Commission, Institute of Contemporary Art San Diego

2024 Hermitage Fellow

2024 National Endowment for the Arts, Grants for Arts Projects

2024 Creative Capital Award

2023 Rockefellers Brothers Fund, Culpeper Arts & Culture Grant

2021 Jerome Hill Artist Fellowship Finalist, Media and Film

2018-2019 Smithsonian Artist Research Fellowship

2017-2018 American Arts Incubator, a program of ZERO1 and U.S. Department of State's Bureau of Educational and Cultural Affairs

2015 Joan Mitchell Foundation Emerging Artist Grant Finalist

2015 Wave Hill Van Lier Visual Art Fellowship

2013 Franklin Furnace Fund Grant Recipient for the Floating Library Project

2013-2017 Visiting Scholar at Asian/Pacific/American Institute at New York University

2012 Emerging Artist Fellow, Hemispheric New York Performance Network

2008-9 US Fulbright Scholar, Performance Art, Peru

2024-2025 Australian Research Council-funded project “Global People: Mobilising Australian evidence in new histories of the Dutch East India Company.” Perth, Australia, AU

2022-2024 Artist-in-Residence at New-York Historical Society with support from the ​Culpeper Arts and Culture Grant​, ​Rockefeller Brothers Fund, New York, NY

2022 Artist-in-Residence at Saint Joseph’s Arts Foundation, San Francisco, CA

2021 Visiting Artist-in-Residence at Yale-NUS College with a studio residency at NTU Centre for Contemporary Art, Gillman Barracks, Singapore

2019-2020 Lower Manhattan Cultural Council Workspace with visiting artist status at LaGuardia Studio, Department of Studio Art, New York University, NY

2018-2019 Smack Mellon Artist Studio Program. New York, NY

2016-2017 Artist-in-Residence at the Asian/Pacific/American Institute at New York University, NY

2016 LES Studio Program, a program of Artists Alliance Inc, New York, NY

2015 Winter Workspace, Wave Hill, Bronx, NY

Artist Books

When Our Rivers Meet, New York. Beatrice Glow, 2024.

The Collection of the EoS10^15. New York: Beatrice Glow, Jeong-A Kim, 2023 (third edition). 116 pages.

Aromérica Parfumeur. New York: Beatrice Glow, 2018. 132 pages.

Taparaco Myth. Lima: Beatrice Glow, 2009. Trilingual publication in Spanish, Chinese and English. 218 pages.

Journals, Blogs and Essays

Glow, Beatrice. “Art, Community and Technology in the Andes,” ArtPlaceAmerica blog, May 22, 2018. https://www.artplaceamerica.org/blog/art-community-and-technology-andes

Glow, Beatrice. “A Conversation with Beatrice Glow.” The Banda Islands, Hidden Histories & Miracles of Nature. Edited by Jan Russell.  Jakarta: Kabar Media, 2017.

Glow, Beatrice. “Circulating Undercurrents.” Cultural Politics, Duke University Press, Vol 13, issue 2, July (2017). Download here

Glow, Beatrice. “Banda “Spice” Islands.” Our Ocean Guide. Edited by Map Office. Venice: Lightbox Publishing, 2017.

“What is Chino? Memories and Imaginaries of Asian Latin America,” post: Contemporary and Modern Art Perspectives, Museum of Modern Art. September 30, 2014.

Mannahatta VR (2016-2019) is an interactive VR experience created in collaboration with Jacques Alexandre and has been presented during the following events: Séance Fiction, curated by Kevin Wu, Pfizer Building, Brooklyn, 2022; Looking Back | Looking Forward: Culture in a Changing America, Park Avenue Armory, New York, 2018; Oceanus, curated by Vanessa Albury, Secret Theater, Queens, 2017; The Wayfinding Project: Closing Showcase, New York University, Asian/Pacific/American Institute, Dec. 8, 2016; Exploring Future Reality 2016, organized by NYC Media Lab, Viacom White Box Theatre, New York,  2016.

Artist Talk, Triangulating: The Interdisciplinary Art of Beatrice Glow, David Rumsey Map Center and the Stanford ITALIC program, Stanford University, May 7. 2026

Public Lecture, Gilt/Guilt: Examining the Afterlives of Colonialism, Institute of International and Regional Studies, Princeton University, Princeton, May 1, 2025

Lecture and Workshop, Aromatic Realities, Stanford University, Palo Alto, April 15, 2025

Panelist, Rethinking Cultural Systems, 2025 Wasserman Forum: Visions of Sustainability, MIT List Visual Art Center, Boston, April 5, 2025

Artist Talk, Pulima: Art as Service, MFA Fine Arts, School of Visual Arts, New York, April 1, 2025

Artist Talk, Speculative Objects, Bard Graduate Center, New York, February 5, 2025

Panelist, Collaboration as Method, organized by the MS Visual Culture Forum, Modern Language Association 2025 Convention, New Orleans, LA, January 9, 2025

Artist Talk, Digital Storytelling, New York University, Interactive Technology Program, Brooklyn, NY, September 25, 2024

Panelist, How do we build bridges? as part of P L A C E Closing Symposium, Montalvo Arts Center, Saratoga, CA, August 11, 2024

Panelist, Illuminating New Stories about the Dutch East India Company through Art, Lawrence Wilson Art Gallery, University of Western Australia, July 13, 2024

Panelist, Fragrance of the Future, Night of Ideas, co-organized by Villa Albertine, KQED and San Francisco Public Library, March 2, 2024

Panelist, A map is a story too; a story we can only tell, if we tell it together, 12th Seoul Mediacity Biennale, online event, October 21, 2023

Lecture and workshop, Art and Power, Stanford University, Palo Alto, May 31, 2023

Lecture and workshop, Aromatic Realities, Stanford University, Palo Alto, April 18, 2023

Visiting Artist, Center for Visual Arts, John Hopkins University, Baltimore, September 15, 2022

Artist talk and workshop, Baltimore Museum of Art, Baltimore, June 5, 2022

Keynote Speaker, 5th Annual NYU Liberal Studies Student Colloquium, New York University, New York, March 25, 2022

Artist talk, Practice Lecture Series, MFA Art Practice Program, School of Visual Arts, New York, February 22, 2022

Artist talk, Beatrice Glow: Storytelling to Reworld, co-sponsored by the Diasporic Media Research Lab, York University and OCAD University, Toronto, November 9, 2021

Presenter, Care and the Institution & Decolonizing Pedagogies, Global Asian Art Exchange, GAX 2021. Online event, June 29, 2021

Panelist, Disrupting Imperial Geographies, Oceans as Archives Symposium, University of British Columbia, Vancouver, May 7, 2021

Moderator and presenter, Banda Commemoration, Oceans as Archives Symposium, University of British Columbia, Vancouver, May 6, 2021

Artist talk, Aromatic Realities, Yale-NUS Artist-in-Residence Public Lecture, Singapore, February 24, 2021.

Artist talk, Climate Change and Contemporary Art Lecture Series, MassArt, Boston, November 17, 2020.

Artist talk, Searching for Inclusive Futures in the Capitalocene, as part of the Meteorological Mobilities exhibition, Apexart, New York, June 18, 2020.

EcoArt Salon, Paul Robeson Galleries, Rutgers University, Newark, Nov 7, 2019.

Artist talk, Smithsonian Artist Research Fellows Lunchbag Talk, National Portrait Gallery, Washington D.C., August 20, 2019.

Artist talk, Making Art in Allyship with Indigenous Communities, Center for Folklife and Heritage Speakers Series Presentation, Smithsonian Institution, Washington D.C., August 15, 2019.

Panelist, Expanding Perspectives: Our New York Histories, American Folk Art Museum, New York, June 19, 2019.

Presenter, Waterways: Asian Indigenous Relations in Contemporary Art, Artist Roundtable Discussion, Concordia University, Montreal, June 13, 2019.  

Visiting Artist Lecture, Digital Interdisciplinary Art Practice MFA program, City College New York, New York, April 3, 2019.

Panelist, Social Justice & Immersive Tech, Price Institute, Rutgers-University, Newark, November 7, 2018.

Artist talk, ACTivaciones: Arte, Comunidad y Tecnología, Co-presented by US Embassy Quito and Arte Actual FLACSO, Quito, March 14, 2018.

Artist talk, Rhunhattan: A Tale of Two Islands, curated by Wim Manuhutu and Nancy Jouwe, Fondation Perdu, Amsterdam, Dec 16, 2017.

Presenter and Convener, Empire of Smoke: the Legacy of Tobacco, Duke House Exhibition Series Program, Institute of Fine Arts at New York University, New York, May 11, 2017.

The Baltimore Museum of Art; The Museum of Modern Art, New York, Library; MoMA/Franklin Furnace Artist Book Collection; Poets House, Archive; Museum of Chinese in America, Archive; Biblioteca Nacional de Colombia, Library; Stanford University Library

Participant, “New Approaches to the Peacock Room” Think Tank at the Smithsonian National Museum of Asian Art, November 2022

Consulted for The Atlantic Archives Project, a Dutch National Archives initiative in partnership with International Documentary Film Festival Amsterdam

Cultural consultant, Oceania Gallery, Metropolitan Museum, New York, 2022 - present

Visiting Faculty Member, Yale-NUS College, Media Arts for Just Futures, Spring 2021

Faculty member, mentor and thesis advisor, School of Visual Arts, New York, MFA Art Practice Program, 8-week course “Diasporic and Anti-colonial Art History, Theory and Practice,” 2019 - present.

Participant, “Indigenizing the Museum” workshop led by Rosanna Raymond and Maia Nuku, The Metropolitan Museum, New York, 2017

Co-Convener with Alice Ming Wai Jim and Lok Siu for the work group “Performing Asian / Americas Converging Movements” for Hemispheric Institute’s Encuentro IX, Montreal, 2014

Founding member, Banda Working Group

Council member, Hemispheric Institute of Performance and Politics

Arts Liaison, The Public History Project

New York University, BFA in Studio Art, magna cum laude, 2004‐2008

Languages: English (fluent); Mandarin Chinese (fluent); Taiwanese (proficient); Spanish (proficient); French (conversational)