“Beatrice Glow interrogates the visual languages of luxury and power as they are derived through the exploitation of natural resources. Smoke Trails (2021) features the catalogue, objects, and virtual smoking room of a fictional private family collection in the near future. Named Empire of Smoke (EoS10^15), this mysterious quadrillionaire legacy has self-enriched through centuries investing in businesses related to airborne substances, from tobacco and gunpowder to vape culture and bioweapons.” Danni Shen

Smoke Trails (2021). Collaborative Survival explores the environmental narratives and ecological relationships that often get overlooked in mainstream consciousness. From dystopian sci-fi films to green technocapitalism, what often trickles down from scientific research on climate change into popular culture are dire visions of Earth’s future. The proposed scientific designation of our present geological epoch as the Anthropocene, in which humans are capable of driving the planet on a universal death track toward extinction, fuels these cultural narratives. However scientifically valid the concept of the Anthropocene may be, such an unfathomable, monolithic framework offers little room for the nuances of human and non-human relationships. While human activities are indisputably over-extracting from the earth, there are other stories to be told amid the ruins.

The artists in this exhibition mine the complex connections between humans and the lifeworlds of plants, revealing social, historical, political, personal, and material histories in the process. By joining feminist, decolonial, and indigenous scholars in taking to task the Western framework that positions “human” and “nature” as distinct and oppositional categories, these artists critique the erasure of other ways of living in the world that are inherently environmentally conscious or sustainable. In Collaborative Survival, plants and humans are bound together through specific, complex, and reciprocal relationships defined by interconnected processes of survival and displays of resilience that complicate the Anthropocene narrative.

601 Artspace, New York, as part of Collaborative Survival group exhibition curated by Danni Shen.

“Of the exhibition’s artworks, Beatrice Glow’s mock-luxe multimedia installation Smoke Trails (2021) creates the most developed world. Set in the year 2068, the project imagines the fictional estate sale of a quadrillionaire family, nicknamed the “Empire of Smoke,” that made its fortune in the tobacco and arms industries. The ornate, faux-porcelain and -gold objects — from pipes to rifles, to vape pens — have been 3D printed and displayed on a gallery wall, and are also displayed in a VR-generated video tour of the dynastic family’s mansion. But Smoke Trails achieves its most complete expression in the published “mocktion” catalogue, “The Collection of the EoS10^15” (2021), produced by Glow and Jeong-A Kim.”

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— Louis Bury