FUTURE 400, an initiative of the Netherlands Consulate General of New York, endeavors to honor 400 years of Dutch-New York history with honesty and integrity, creating space for others who share this common heritage to voice their feelings and experiences at this monumental moment. Partners from cultural to commercial fields, from the New York area to the Netherlands will come together to create new work and new opportunities to continue writing the next chapter of our shared story, a collective…
FUTURE 400.
Yale-NUS College Artist-in-Residence
Last year, I spent almost 6 months in Singapore as the Yale-NUS College Artist-in-Residence. This was an amazing portal that opened up during the pandemic wherein I got to travel, meet new friends, work with students in person, make new works (many now being show at Baltimore Museum of Art) an enormous workspace at Gillman Barracks as part of the NTU CCA artist residency program and of course, eat delicious Singaporean food. The very brilliant Prof. Tom White coordinated my residency. Luckily, he is also an acclaimed photographer and journalist, so the result is that he documented various stages of my journey with his interdisciplinary know-how. It was also joyful to watch this video and see the wise curator Siddharta Perez and two brilliant students, Aarti Pillai and Ishmam Ahmed, share their practice as well.
An Archipelagic AIR: Episode 3, Yale-NUS College Artist-in-Residence Podcast
“Going along this continued conversation that we have been having about archipelagic thinking, it dovetails well with diasporic thinking, relational thinking, empathetic thinking and that really helped me look at the map of Austronesia in a different layered way.”
Aromatic Realities – a portrayal of narratives via multimedia and multisensory experiences by Artist-in-Residence Beatrice Glow
“I titled this talk Aromatic Realities to evoke what is often unseen, yet pervades our lives,” Ms Glow shared. “I also wanted to signal all the ‘AR’s in our lives. ‘AR’ is known as augmented reality technology, but what does it really mean to augment our realities? It’s not just a new technological experience, it’s also about expanding our senses,” she added, noting all the ‘ARs’ that she’s fascinated by including ‘Asian/Americas relations’ and ‘archives reimagined’.
ART UNCOVERED — INTERVIEW
July 30, 2019. Podcast Interview on the Art Uncovered series discussing ongoing projects including Mannahatta VR and Rhunhattan: A Tale of Two Islands. Click here to listen.
https://player.fm/series/art-uncovered/beatrice-glow-kllshqZkngNPSgJa
Honolulu Biennial Artist Interview →
After sleepless nights of installing Rhunhattan Tearoom at the Honolulu Biennial, I participated in this interview...I hope it's coherent!
Interview with the Center for Artistic Activism →
"It’s a long wave. I think of everything as being interdependent or part of an ecosystem, philosophically and biologically. There are urgent moments of crisis where the waves are crashing on the land, which are the moments that activists quickly rise to. But then there’s the long waves, behind them, that are holding a space. They’re affecting generational change, through educational, cultural methodologies. I see myself as being part of that [long] wave; I want to stay in there and be vigilant all the time."
Voz de la Chimba "Entrevista: Beatrice Glow El aroma de la Historia"
La exposición “Aromérica Parfumeur” en Sala de Arte que el Museo Nacional de Bellas Artes (MNBA) tiene en Mall Plaza Vespucio, nos ha dado la oportunidad de hablar con su creadora, Beatrice Glow. Los olores, los aromas, no sólo impregnan la vida cotodiana de las personas, sino de la humanidad en su conjunto y en toda su historia. Las expediciones, los descubrimientos de nuevas tierras o el comercio estuvieron ligados a la búsqueda de especias aromáticas desde los tiempos más antiguos. El valor que se otorgaba a ciertos productos que, por la lejanía de sus orígenes, eran difíciles de conseguir, fue también causa de guerras, matanzas, expolios y, siempre, explotación de unos pueblos por otros. Hay toda una historia económica, una geopolítica, cuyo motor esencial fue la posesión de los aromas. Pero también una historia social tan alimentada de placer como de sufrimiento.
Aromérica Parfumeur: Una entrevista con Beatrice Glow →
Aromérica Parfumeur, es una muestra que explora el camino recorrido de plantas a través de la ruta de las especias y expediciones científicas, así como el vínculo entre Asia y las Américas. En el marco de esta exposición María Montt Strabucchi, miembro de ALADAA, entrevistó a la artista Beatrice Glow, quien trabaja con instalaciones, publicaciones en múltiples idiomas incluyendo chino mandarín, español e inglés, performances y charlas, entre otros.
Source URL: https://www.aladaachile.com/post/2016/09/05/arom%C3%A9rica-parfumeur-una-entrevista-con-beatrice-glow
Asian Contemporary Art Week 2014
Spanish Lesson on How to Speak Chino
I delve into the historical realities of Asian migration to Peru by dissecting the folk etymology of “chino.” There is a plethora of ways to use the word “chino” (Chinese) in colloquial Spanish that range from orange juice, marijuana, curly blondes, children, a gaucho’s wife, a person with indigenous physical characteristics, fifty cents to several Peruvian ex-presidents.